quinta-feira, junho 30, 2011

quero aqui deixar bem claro...

... para que não haja dúvidas de espécie alguma, que chorei amarguradamente a morte do salvador caetano porque: nasceu pobre, criou postos de trabalho e morreu samurai. não verti uma lágrima - e juro que tentei! cheguei mesmo a puxar um pêlo do nariz - com a morte do angélico uma vez que o rapaz não trazia cinto de segurança colocado.

(pronto, está assinado e devidamente
reconhecido por notário. sendo assim, creio já me ser permitido passear de espinha direita*, junto da classe cool, esperta ou politicamente correcta do mundo ocidental (berlengas, farilhões, selvagens e o terreno onde se encontra o estabelecimento da restauração «o barbas» excluídas).


* ok, eu explico o truque: fiz duas artrodeses no espaço duma semana

maureen

tenho uma cliente chamada maureen.

este nome lembra-me um jogo de computador que eu gostava muito. ora, porque gostava muito, gosto também muito do nome. e agora que estou a fazer arquivo (nem perguntem!) olho para o nome dela e gosto. gosto de o ver escrito, gosto da forma como se lê...

tudo por causa de um jogo.


(ninguém nos disse que iriamos ser normais, não é?)
(nem é pecado ser assim, pois não?) 

isto?

esta história? esta é daquelas tão tolas, tão giras que só nós é que achamos piada.

(eu, pelo menos, ainda acho)

quarta-feira, junho 29, 2011

god doesn’t fuck around, he’s a fair guy.




You’re both fucking insane. You wanna know what your problem is? MTV, Playboys, and Madison fucking Avenue. Yes. Let me explain something to you okay? Girls with big tits have big asses, girls with little tits have little asses. That’s the way it goes. God doesn’t fuck around, he’s a fair guy. He gave the fatties big, beautiful tits, and the skinnies little, tiny niddlers. It’s not my rule. If you don’t like it, call Him. Hey Mitch. Thank you. Oh guys, look what we have here. Look at this, your favorite. Oh, you like that? Yeah, that’s nice, right? Well, it doesn’t exist, okay? Look at the hair. The hair is long, it’s flowing, it’s like a river. Well, it’s a fucking weave, okay? And the tits. Please, I could hang my overcoat on them. Tits, by design, were intended to be suckled by babies. Yes, they’re purely functional. These are silicone city. And look, my favorite, the shaved pubis. Pubic hair being so unruly and all. Very keen. This is a mockery, this is a sham, this is bullshit. Implants, collagen, plastics, capped teeth, the fat sucked out, the hair extended, the nose fixed, the bush, these are not real women, alright? They’re beauty freaks. And they make all us normal women with our wrinkles, our puckered boobs, hi Bob, our cellulite, seem somehow inadequate. Well, I don’t buy it, alright? What you fuckin mooks, you think is that there’s a chance in hell that you’ll end up with one of these women you don’t give us real women anything approaching a commitment. It’s pathetic. I don’t know what you think you’re going to do. You’re going to end up 80 years old, drooling in some nursing home, and then you’ll decide that it’s time to settle down, get married, have kids? What are you going to do find a cheerleader? Charge it, Mitch. Oh, eat me. Look at Paul, with his models on the wall, his dog named Elle Macpherson. He’s insane! He’s obsessed. You’re all obsessed. If you had an ounce of self-esteem, of self-worth, of self-confidence, you would realize that as trite as it may sound: beauty is truly skin deep. And you know what? If you ever did hook one of those girls, I guarantee you’d be sick of her. Get over yourself. … No matter how perfect the nipple, how supple the thigh, unless there’s some other shit going on in the relationship besides physical, it’s gonna get old, okay? And you guys, as a gender, have got to get a grip, otherwise the future of the human race is in jeopardy.

haaaaaaaaands, touching haaands, reaching ouuuuut, touching me, touching youuuu, suuiiiiiiiiite caroline....

and the colored girls go: du du ru du ru du du ru du

Clarence doesn't leave the E Street Band when he dies. He leaves when we die.

FOR THE BIG MAN

I've been sitting here listening to everyone talk about Clarence and staring at that photo of the two of us right there. It's a picture of Scooter and The Big Man, people who we were sometimes. As you can see in this particular photo, Clarence is admiring his muscles and I'm pretending to be nonchalant while leaning upon him. I leaned on Clarence a lot; I made a career out of it in some ways.

Those of us who shared Clarence's life, shared with him his love and his confusion. Though "C" mellowed with age, he was always a wild and unpredictable ride. Today I see his sons Nicky, Chuck, Christopher and Jarod sitting here and I see in them the reflection of a lot of C's qualities. I see his light, his darkness, his sweetness, his roughness, his gentleness, his anger, his brilliance, his handsomeness, and his goodness. But, as you boys know your pop was a not a day at the beach. "C" lived a life where he did what he wanted to do and he let the chips, human and otherwise, fall where they may. Like a lot of us your pop was capable of great magic and also of making quite an amazing mess. This was just the nature of your daddy and my beautiful friend. Clarence's unconditional love, which was very real, came with a lot of conditions. Your pop was a major project and always a work in progress. "C" never approached anything linearly, life never proceeded in a straight line. He never went A... B.... C.... D. It was always A... J.... C.... Z... Q... I....! That was the way Clarence lived and made his way through the world. I know that can lead to a lot of confusion and hurt, but your father also carried a lot of love with him, and I know he loved each of you very very dearly.

It took a village to take care of Clarence Clemons. Tina, I'm so glad you're here. Thank you for taking care of my friend, for loving him. Victoria, you've been a loving, kind and caring wife to Clarence and you made a huge difference in his life at a time when the going was not always easy. To all of "C's" vast support network, names too numerous to mention, you know who you are and we thank you. Your rewards await you at the pearly gates. My pal was a tough act but he brought things into your life that were unique and when he turned on that love light, it illuminated your world. I was lucky enough to stand in that light for almost 40 years, near Clarence's heart, in the Temple of Soul.

So a little bit of history: from the early days when Clarence and I traveled together, we'd pull up to the evening's lodgings and within minutes "C" would transform his room into a world of his own. Out came the colored scarves to be draped over the lamps, the scented candles, the incense, the patchouli oil, the herbs, the music, the day would be banished, entertainment would come and go, and Clarence the Shaman would reign and work his magic, night after night. Clarence's ability to enjoy Clarence was incredible. By 69, he'd had a good run, because he'd already lived about 10 lives, 690 years in the life of an average man. Every night, in every place, the magic came flying out of C's suitcase. As soon as success allowed, his dressing room would take on the same trappings as his hotel room until a visit there was like a trip to a sovereign nation that had just struck huge oil reserves. "C" always knew how to live. Long before Prince was out of his diapers, an air of raunchy mysticism ruled in the Big Man's world. I'd wander in from my dressing room, which contained several fine couches and some athletic lockers, and wonder what I was doing wrong! Somewhere along the way all of this was christened the Temple of Soul; and "C" presided smilingly over its secrets, and its pleasures. Being allowed admittance to the Temple's wonders was a lovely thing.

As a young child my son Sam became enchanted with the Big Man... no surprise. To a child Clarence was a towering fairy tale figure, out of some very exotic storybook. He was a dreadlocked giant, with great hands and a deep mellifluous voice sugared with kindness and regard. And... to Sammy, who was just a little white boy, he was deeply and mysteriously black. In Sammy's eyes, "C" must have appeared as all of the African continent, shot through with American cool, rolled into one welcoming and loving figure. So... Sammy decided to pass on my work shirts and became fascinated by Clarence's suits and his royal robes. He declined a seat in dad's van and opted for "C's" stretch limousine, sitting by his side on the slow cruise to the show. He decided dinner in front of the hometown locker just wouldn't do, and he'd saunter up the hall and disappear into the Temple of Soul.

Of course, also enchanted was Sam's dad, from the first time I saw my pal striding out of the shadows of a half empty bar in Asbury Park, a path opening up before him; here comes my brother, here comes my sax man, my inspiration, my partner, my lifelong friend. Standing next to Clarence was like standing next to the baddest ass on the planet. You were proud, you were strong, you were excited and laughing with what might happen, with what together, you might be able to do. You felt like no matter what the day or the night brought, nothing was going to touch you. Clarence could be fragile but he also emanated power and safety, and in some funny way we became each other's protectors; I think perhaps I protected "C" from a world where it still wasn't so easy to be big and black. Racism was ever present and over the years together, we saw it. Clarence's celebrity and size did not make him immune. I think perhaps "C" protected me from a world where it wasn't always so easy to be an insecure, weird and skinny white boy either. But, standing together we were badass, on any given night, on our turf, some of the baddest asses on the planet. We were united, we were strong, we were righteous, we were unmovable, we were funny, we were corny as hell and as serious as death itself. And we were coming to your town to shake you and to wake you up. Together, we told an older, richer story about the possibilities of friendship that transcended those I'd written in my songs and in my music. Clarence carried it in his heart. It was a story where the Scooter and the Big Man not only busted the city in half, but we kicked ass and remade the city, shaping it into the kind of place where our friendship would not be such an anomaly. And that... that's what I'm gonna miss. The chance to renew that vow and double down on that story on a nightly basis, because that is something, that is the thing that we did together... the two of us. Clarence was big, and he made me feel, and think, and love, and dream big. How big was the Big Man? Too fucking big to die. And that's just the facts. You can put it on his grave stone, you can tattoo it over your heart. Accept it... it's the New World.

Clarence doesn't leave the E Street Band when he dies. He leaves when we die.

So, I'll miss my friend, his sax, the force of nature his sound was, his glory, his foolishness, his accomplishments, his face, his hands, his humor, his skin, his noise, his confusion, his power, his peace. But his love and his story, the story that he gave me, that he whispered in my ear, that he allowed me to tell... and that he gave to you... is gonna carry on. I'm no mystic, but the undertow, the mystery and power of Clarence and my friendship leads me to believe we must have stood together in other, older times, along other rivers, in other cities, in other fields, doing our modest version of god's work... work that's still unfinished. So I won't say goodbye to my brother, I'll simply say, see you in the next life, further on up the road, where we will once again pick up that work, and get it done.

Big Man, thank you for your kindness, your strength, your dedication, your work, your story. Thanks for the miracle... and for letting a little white boy slip through the side door of the Temple of Soul.

SO LADIES AND GENTLEMAN... ALWAYS LAST, BUT NEVER LEAST. LET'S HEAR IT FOR THE MASTER OF DISASTER, the BIG KAHUNA, the MAN WITH A PHD IN SAXUAL HEALING, the DUKE OF PADUCAH, the KING OF THE WORLD, LOOK OUT OBAMA! THE NEXT BLACK PRESIDENT OF THE UNITED STATES EVEN THOUGH HE'S DEAD... YOU WISH YOU COULD BE LIKE HIM BUT YOU CAN'T! LADIES AND GENTLEMEN, THE BIGGEST MAN YOU'VE EVER SEEN!... GIVE ME A C-L-A-R-E-N-C-E. WHAT'S THAT SPELL? CLARENCE! WHAT'S THAT SPELL? CLARENCE! WHAT'S THAT SPELL? CLARENCE! ... amen.

I'm gonna leave you today with a quote from the Big Man himself, which he shared on the plane ride home from Buffalo, the last show of the last tour. As we celebrated in the front cabin congratulating one another and telling tales of the many epic shows, rocking nights and good times we'd shared, "C" sat quietly, taking it all in, then he raised his glass, smiled and said to all gathered, "This could be the start of something big."

Love you, "C".

hoje lembrei-me do jorge



e apesar de eu não gostar nada destas músicas, sei que ele gostava.

e ainda gosta! 

«...i leaned on clarence a lot; i made a career out of it in some ways.»


sabes que começou no a - ah ah ah - e a seguir vem o e - eh eh eh - , inteligente é com o i - ih ih ih - e o u depois do o faz o aeiou

ainda nem vos tinha dito, perdi um concerto da ana malhoa, assim por uma pintelhice.

ahhh, que falta de oportunidade! 

frase do dia

«ai que me esqueci de tirar o bacalhau para fora!»

sinto-me desconfortável...

... quando leio ou ouço, pais dizerem mal dos namoros dos filhos.

nem é bem por dizerem mal. é mais por que assumem sempre uma ridícula pose de «olha bem para nós, vê lá se achas se essa tua namorada(o) é como a tua mãe(pai)».

são sempre todos tão perfeitinhos, deus do céu!

joguei ontem. ainda não vi os resultados...

... mas se tiver prémio, compro um fiesta verde, só para mim.

a yasmine le bon está com 46 anos

e tenho aqui na minha secretária uma rubistinha - review como eu ouvi uma valente cavalgadura dizer (eu, mesmo!), no decurso duma conversa em inglês - com fotos da senhora.


(tem cá umas mãos e uns pezinhos....)

(e quando o gajo começa a fazer aquele tipo de analogias... ? deus do céu!)

hoje acordou e decidiu ser boazinha. ou seja, fez precisamente tudo, mas tudo, tudo, tudo o que nos outros dias mandamos fazer com ajuda de mandados judiciais ou ameças de inibições de conduzir ou outros castigos do género.

a diferença é que desta vez não precisámos de dizer nada.

lá está, é como o bom tempo no guincho. são duas, três vezes por ano.

é nestas alturas que percebemos - sim, só duas ou três vezes por ano - que afinal a educação que lhe damos tem algum efeito. um efeito quase olímpico (pela frequência com que ocorre, claro)

teve o seu primeiro desgosto de am..... izade!

é foda!

(dói pr'a caraças!) 

terça-feira, junho 28, 2011

eu já nem digo mais nada, mas pronto...



there must be some misunderstanding, there must be some kind of mistake

auto reparadora do chile não tem nada que ver com chile aute nem com chill out, ou tem?

continuo a achar que ela chamá-lo de angelino foi o ponto alto da coisa

o povo  
é sinuoso identificar como povo duas mulheres, na casa dos sessenta, com pinta de quem trabalha (ainda) no campo há cinquenta anos, não é? se aparentassem ser tias de birre será que ainda seriam o tal «povo»?
é tramado a sentenciar.

há pouco, no café da esquina
por acaso é mesmo numa esquina
duas mulheres conversavam e concluiram que o moço que cantava nos disârte teve aquilo que merecia.

- por mim pode morrer que é muita bem feito!

não só porque lhes chamaram de angelino
houve uma que ainda disse o nome aurélio, mas logo concluíram que «não, não, é angelino que eu bem sei!»
mas também, regressa por uns momentos a pena de morte
vá, mesmo que não seja a morte que veja pelo menos uma paralisia total para animar
porque «há castigos que um gajo tem que apanhar na vida se quer aprender de vez.

(maravilha!)

e é assim, já não bastava haver tribunais que decidiram que afinal o médico não violou aquela tipa que estava grávida, agora também o povo corta a direito «já que os que estão lá em cima não fazem rigorosamente nada por este país!»

é assim mesmo, catano!

(acredito que o mesmo povo usaria o mesmo discurso se o que aconteceu tivesse sido com um dos seus filhos
lá das velhas do café, per'ixemples!)
(ou talvez não?)
(ai não? então?)

(... no cu dos outros para nós é rajá, não é?)

(gosto tanto disto, deus do céu!)